Our story

Made by a mother and her child

Two pairs of hands at one table — painting, shaping and finishing every piece together.

The makers at work — hands, brushes, clay at a shared table

Hatheliya started the way many good things do — quietly, at home. A mother who had painted and made things all her life, and a child who grew up watching those hands move, sat down one day to make something together. A handkerchief, painted by hand. Then another. Then a saree that took weeks, and a small dish of clay beads dried on the windowsill.

Nothing about it was industrial, and that was the point. Each piece carried the small irregularities of being made by a person — a brushstroke that leaned, a bead that was a touch rounder than its neighbour. Friends noticed. They didn't want the perfect thing; they wanted this thing, the one that had clearly been held while it was made.

So we gave it a name. Hatheli— the palm of the hand — because the palm is where all of it happens. It is our symbol and our whole method. We don't make thousands of anything. We make one, carefully, and then the next.

हथेली
हथेली
hatheli — the palm of the hand
Everything, made by hand
How we work

Three things we hold to

i.

Painted by hand

Every motif is drawn and painted by hand — no prints, no transfers. The brush leaves a record of the person behind it.

ii.

Shaped by hand

Clay is formed, dried and finished between the fingers, so each necklace and pair of earrings is a little different from the last.

iii.

Made for someone

Our textiles are made to order, around your colours and your occasion — a piece with a person in mind from the first stroke.

“We would rather make one piece you keep for years than a hundred you forget by spring.”
— The makers of Hatheliya